Molly Ivins said “Satire is traditionally the weapon of the powerless against the powerful.”
In this excellent video, The Juice Media aptly summarize what is happening in Brazil with mega-event related human rights abuses: forced evictions, diverted public monies, police violence, and increased surveillance, all reported in Juice Media’s traditional style – a hip hop news report! This is truly exceptional, so do yourself a favour and check it out!
Juice Rap News – delivering a bulletin to restore your faith in the fourth estate, make you nod your head to the beat even as you shake it in disbelief.
Written & created by Giordano Nanni and Hugo Farrant in a suburban backyard studio in Melbourne, Australia.
p.s. please check out our Indigogo campaign to raise post-production funds for State of Exception.
We are entering the home-stretch of our campaign, just 1.5 weeks left!
Today, we are announcing some new campaign perks and launching a video update. Please share this video far and wide, and encourage others to donate so we can reach our goal! As most of you know, this is a grassroots project that is being funded completely outside of the corporate broadcast model – funded by YOU and others who want to take a stand against human rights injustices and the tyranny of corporate interests.
We have had tremendous success so far and we have less than $10,000 to raise! We’re asking everyone to please dig your heels in and do some personal outreach within your networks to help give our campaign a final push.
Please continue to SHARE THE CAMPAIGN on Twitter, Facebook, and other social media, as well as directly emailing anyone who would connect with this story. The statistics demonstrate that direct email is the best for inspiring people to take action, so if there’s anyone you know would be interested in joining our growing community, please send them a message today.
Please stay posted to our Twitter feed and blog at stateofexception.com for regular content posts.
As always, THANK YOU!
P.S. A huge shout out to one of our favorite NGOs: Witness.org for producing the animation in our video
In 2010, FIFA and Coca-Cola selected Somali-Canadian artist Knaan´s popular song Wavin´ Flag as the promotional anthem of the 2010 FIFA World Cup in South Africa. Originally a freedom song written for the oppressed classes of Somalia, K´naan was required to change the lyrics, depoliticizing them for the purposes of commercial advertising. The original freedom song has been revived by Anonymous in Brazil, calling on all Brazilians to take to the streets and protest the looting of the country by the international mafia at FIFA, who has imposed a ´state of exception´ in the country, creating militarized and exclusive spaces, squelching civil liberties and violating a number of citizen´s constitutional rights. While the extraordinary cost of hosting the World Cup is paid for with Brazilian public monies, FIFA is exempt from all taxes, and will take all of the profits, leaving a legacy of debt in a country that lacks many basic public services. Join us in the streets to protest against this heist perpetrated by FIFA upon the Brazilian people. The people united will never be defeated.
As international tourists descended on Rio’s iconic Maracanã Stadium to watch the final match of the 2014 FIFA World Cup in July, most Brazilians watched from television screens outside, while others took to the streets to exercise their constitutionally guaranteed right to protest. It is not mere opportunism that is bringing people to the streets, seeking to capitalize on all the attention garnered by the Cup – their grievances are very much tied to the international spectacle and the social legacy it will leave in this country. When the circus leaves town, it is Brazilians who will bear the brunt of the hangover, sifting through the trash to recover all the discarded beer cans after the party. It is very true that these events bring extraordinary benefits, but to whom are these benefits accrued? The benefits are privatized and profit an international elite – FIFA and the event sponsors – while the costs are socialized. FIFA will pay no taxes in Brazil and commit one of the greatest heists in Brazilian history upon its citizenry. Read more
From the first steps of the samba that were developed by escaped slaves to the hyper-politicized modern-day hip-hop movement, music has always played a fundamental role in liberatory struggles in Brazil.
While initially a form of protest music, samba was in many ways co-opted and commercialized, assisted by Carnaval, becoming a dominant form of mass culture. Unsurprisingly, many in the favelas feel samba no longer has the capacity to express their identity or frustrations. Perhaps inevitably, other musical styles more acutely focused on protest, anti-authoritarianism and anti-oppression have emerged to fill the gaps left by samba’s co-option. By the end of the 20th century, samba had taken a backseat as a powerful counter-narrative emerged in the form of hip-hop, telling stories of racism, violence, poverty and injustice.
Check out this excellent hip hop video made by a collective of young women in Brazil (Construção Coletiva) who poetically sum up the social injustices imposed by the World Cup.
For some, activism is a choice, but for many, it becomes an imperative when life circumstances thrust them against injustice, and the call to action a necessity. Such was the case for Liz Martin, whose nephew Joe was executed by Brazilian police on his 30th birthday when he was living as an expat in Rio de Janeiro. Liz’s personal story is harrowing and caused me to break down in tears when I first heard it. Read more
This past summer during the FIFA World Cup in Brazil, São Paulo graffiti artist Paulo Ito became famous when his graffiti mural depicting a starving child eating a soccer ball went viral online. The fame was long overdue, for Paulo Ito is an exceptionally gifted and prolific artist, this mural is but one of his many exceptional art works that can be seen throughout São Paulo’s urban landscape and beyond. Paulo’s work exemplifies the adage that “a picture is worth a thousand words”, as he so aptly captures a very deep social and political sub-text in his graffiti art. Read more
Long before I started this project, Witness.org became one of my favourite NGOs after I was introduced to their work by Peter Wintonick & Kat Cizek’s 2002 documentary Seeing is Believing. In fact, it was my early exposure to Witness’s unique methodology – providing human rights activists video equipment and training to document human rights abuses – that led to my own interest in participatory media. Read more
Yes it’s true, most people are surprised to hear this given I’ve spent the last four years of my life investigating how whole communities are being destroyed in Rio for these events. But at the end of the day, who doesn’t enjoy a good game of footie? I certainly do! I have drank the kool-aid (or Coca-Cola), I love FIFA’s “beautiful game”! I am inspired by the Olympic Charter and the values it espouses. And that’s precisely why I was so irate Read more
Here is a thorough article from RioOnWatch the community reporting outlet published by Rio-based NGO Catalytic Communities (Catcomm). CatComm was one of my first allies when I first started this project in 2010, and they have been working tirelessly to publish many of the untold stories in Rio around the same issues I am documenting in the film. The article describes the joint finding of Brazil’s “popular committees”, Read more